Roland Allnach multi-award winning author of the strange and surreal www.rolandallnach.com |
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A Few Words About Me...
I'm going to do something a little different here. While my writing tends to be rather dark and serious, with little space for humor (although the bizarre pops in for some guest appearances), this blurb about me is not going to be quite so serious. If you can't laugh at yourself, what can you laugh at, right? So here's a story about me, tongue in cheek. If you would prefer to read my 'serious' bio, the one I use for the greater publishing world, you can find that lower on this page. It talks a little more about my writing, and in the tradition of professional publication it's written in third person. It's a little odd writing about myself in the third person, though. In any event, you can jump down to the professional bio here. After the bios I have a few pictures, for your viewing curiosity (jump down to them here).
A not so serious bio. . . I was born on a very hot day. As it happened, my father was home with a horrible migraine while my mom was popping me out into the world. I was born two weeks late. It was a sign of things to come: I gave my father quite a few headaches over the following years and as far as lateness goes, I'm still trying to get somewhere on time for once in my life. I
grew up on Long Island, in a typical My
father was born in Writing isn't something I looked to do, it was something that evolved in my life. I grew up doing a lot of art (pencil, pen and ink, some painting, and tons of doodles with a Bic pen when I was supposed to be taking notes in school) and my main hobbies consisted of role-playing and war games. (Anyone remember Avalon Hill? Task Force Games? The Chaosium? Microgames, and then Steve Jackson Games? Do I remember way too much about this stuff? Sure - but my friends and I had a lot of great times, a lot of beer, and a lot of priceless memories.) Role-playing games gave me my first taste at creating scenes, and my artistic efforts helped me understand the conceptual and visual aspects of imaginary realities. I've always been an avid reader; at the time I was immersed in science fiction and fantasy. Being an innate do-it-yourself type of person, I wouldn't just read a book, I'd analyze it, study how it was put together, and how the sentences worked, more to see how sentences I wrote sounded different from things I read. So I learned as much, if not more, grammar from reading than from school, which was good, as grammar ain't one of my bestest subjects at that time. I was sixteen when I wrote my first story and I was bit by the bug. I enjoyed drawing and painting, but writing became an exponentially engrossing form of expression. So fast forward to now. I look at my creativity as a private friend, as I'm prone to daydream in my own little worlds of fancy. Writing is just a natural outlet. I have thoughts and whispers in my head, and they keep me entertained, so I write their stories, as best I can. The stories and books I write feel alive to me as I write them, and the characters feel like real people. They tell me the story as much as I construct the story. With any luck, it all translates on the page, so that it comes alive for the reader as well. Okay, so that's that. (Remember this one's in the third person, the way publications and references require. I try to keep this up to date, but my biography keeps evolving. Imagine that! It's good to be alive.)
Roland Allnach has been writing since his early teens. He is
an avid reader, with his main interests residing in history,
mythology, and literary classics, along with some fantasy and
science fiction in his earlier years. Although his college
years were focused on a technical education, he always fostered his
interest in literature, and has sought to fill every gap on his
bookshelves.
His creative
inclinations started with art and evolved to the written word.
The process of creativity is a source of fascination for him, and
the notion of bringing something to being that would not exist
without personal effort and commitment serves not only as
inspiration but fulfillment. Whether it is writing, woodwork,
or landscaping, his hands and mind are not often at rest.
Since making the decision to pursue a writing career he has secured
publication for a number of short stories, has received a nomination
for inclusion in the Pushcart Anthology, and has seen publication of
several books. His first book, Remnant (2010), spanned
science fiction and speculative fiction; Oddities & Entities (2012),
spans the horror, supernatural, paranormal, and speculative genres;
Prism (2014), encompasses a diverse landscape of fiction,
covering various genres and narrative styles to provide a compelling
exploration of the human experience; The Digital Now (2015)
is a full length dystopian science fiction novel; and The
Writer's Primer (also 2015) combines real world experience and
advice in a cohesive guide for those who are contemplating
publication or have yet to put their first words to paper.
Roland's writing can best be described as depicting strange people
involved in perhaps stranger situations. He is not
devoted to any one genre of writing. Rather, he prefers to
let his stories follow their own path and let classification follow
after the fact. Despite the category, he aims to depict characters
as real on the page as they are in his head, with prose of literary
quality. His inspirations are as eclectic as his
written works - from Poe to Kate Chopin, from Homer to Tolkien, from
Flaubert to William Gibson, from Shakespeare to Tolstoy, as long as
a piece is true to itself, he is willing to go along for the ride.
He hopes to bring the same to his own fiction.
Hey, look at that. This is the photo I used for Remnant and my original pages on AuthorsDen, LibraryThing and Facebook. I'm trying to look a little serious here, but still a little happy. You'd think after my first book I should be at least a little happy, right?
Uh-oh, a bit of an anxious moment. This is why I don't drink coffee. Maybe this is how I look after getting a story rejection. . .or maybe how I look after getting a story accepted. Either way, time for a deep breath.
Here's the author photo I used for the back of Oddities & Entities, among other places. This one came courtesy of a professional photographer, Marc Kelly. Thanks again, Marc, for this photo.
Oh,
look at that, an early version of me. That's an old picture
from a family trip to
A state park near my house, down by the water. There are two kinds of people, I think, on this planet of ours: those that need to live by the water, and those that don't. I am without doubt a 'water person'. I need to know there's a place I can go and look out across the water to a horizon. I guess it's a good thing I live on an island.
Apparently, from what I've been told, this is where I live. Not a bad view, if I do say. In terms of living on an island, well, I guess this is no different, sharing this little blue marble zipping around our sun.
Hey, look at that, my first book signing, at the LA Times Book Festival, 2011. This was a great experience, but what I find most satisfying is the fact that three years before this signing the idea of sitting behind a table like that was nothing more than a fantasy. Just goes to show that persistence pays off.
Here goes book signing number two, courtesy of ICON 31, 2012. This is just over a year from my first signing, and right after the publication of Oddities & Entities. ICON, being a sci-fi convention, allowed me to meet an interesting array of people and fellow authors. It also afforded me an opportunity to share a speaking stage with prominent authors David Weber and Charles Gannon, which was a major confidence booster. It's very easy to feel lost in the big ocean of the publishing world, and my ICON experience left me feeling a little more grounded in that reality.
Well, there I am, down in Miami, with my 2012 Readers Favorite Book of the Year Awards for my two babies, Remnant and Oddities & Entities. It was a very gratifying experience, and an honor, to sit among fellow authors who have invested so much time and effort in their writing.
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